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魏晋南北朝时期,“洛神”成为一个令各类艺术迷醉的女神形象。受当时文化主流发展趋势的影响,女性题材的艺术作品受到了普通大众乃至上流人群的认同与推崇。魏国著名的文学家曹植所创作《洛神赋》以及东晋时期著名画家顾恺之所创作的《洛神赋图》都以对“洛神”这一艺术形象的刻画作为蓝本,力求人性审美的情感完美化。《洛神赋》以及《洛神赋图》的创作者借助于对不同艺术语言、艺术技巧以
During the Wei, Jin and Southern and Northern Dynasties, “God of God” became a goddess who made all kinds of arts intoxicated. Influenced by the development trends of the mainstream culture at that time, the works of art by women were recognized and respected by the general public and even the upper class. Luo Shen Fu, created by Cao Zhi, a famous writer in the Wei Dynasty, and “Luo Shen Fu Tu” created by Gu Kaizhi, a famous painter in the Eastern Jin dynasty, are all based on the portrayal of the artistic image of “Luo Shen” and strive to perfect the aesthetic feeling of human nature The The creators of “Luo Shen Fu” and “Luo Shen Fu Tu” draw on different artistic language, artistic skills