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清代文学批评家金人瑞在评价《水浒》时说:“叙一百零八人,人有其性情,人有其气质,人有其形状,人有其声口。”从写作方法上分析《水浒》,可以看出,施耐庵在人物形象塑造中,调动了眼、耳、鼻、舌等各种感官,进行了视觉、听觉、嗅觉、味觉等诸方面的协同观察,所以抓住了典型人物的显著特征。经过多次的教学实践发现,学生作文中出现的空洞乏味、胡编乱造等问题,可以通过用感官“写”作文的办法来纠正。下面我就如何巧用眼睛、耳朵、口鼻来“写”作
Commenting on Water Margin, Jin Renrui, a literary critic of the Qing Dynasty, said: “There are 108 people who have their own temperament, people have their temperament, people have their own shape and people have their own voice.” “ Methodological analysis of ”Water Margin“, we can see that Shinai in the characterization of the image, the mobilization of the eyes, ears, nose, tongue and other senses, the visual, auditory, smell, taste and other aspects of the collaborative observation, So seize the salient features of typical people. After many times of teaching practice, it is found that the problems such as the empty and boring students’ writing and the chaos of making mistakes in writing can be corrected through the method of using the senses ”writing “. Here I am how clever use of eyes, ears, nose and mouth to ”write " for