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展示艺术设计,是一种人为环境的创造,空间计划就成为展示艺术造型要素中的核心要素.自爱因斯坦“相对论”提出以后,人们对空间的认识有了深化,即知道了空间和时间是一个东西的不同表述方式.空间只有以时间为基准,才能考查和测定;同样,时间也只有以空间为基准才能测定和考查.所谓的时间,就是流动(或曰运动),是我们意识中涌动着的生命内的发动的强烈主观感觉,这种感觉大到“斗转星移”、一年四季的变化,小到人的举步缓行或者传动装置驱动下展品的转动,并且这种感觉随着人们生命力的变化而变化,同一个展厅,对孩童和老翁来讲,他们会感到太大,对一个壮汉来讲,又会觉得太小;而空间,则是广袤,广袤到人的知觉系统难以穷尽的浩渺太空.空间也是客观介面实体限定下的“虚无”.这样的虚无因为介面的变化可以人为地延伸和缩短、可以张扬和压缩、可方可圆、可曲可直、可虚可实.而这些形态各异的“虚体”除了具有包容人群和物品的实用功能之外,还会引起人们千差万别的心理反应.综上所述.可以归纳出如下的结论:
The display of artistic design is a kind of creation of man-made environment, and space planning becomes the core element in the display of artistic modeling elements.After Einstein’s “Theory of Relativity” was put forward, people have deepened their understanding of space, that is, they know that space and time are The different ways of expressing one thing. Space can only be measured and measured only on a time basis. Similarly, time can only be measured and examined on the basis of space. The so-called time is flow (or movement) The strong subjective feeling of the motivation in the moving life is that it feels like “twists and turns”, the changes of the whole year, the easiness of people to walk or the rotation of the exhibits driven by the transmission, and the feeling changes with people’s vitality Changes in the same exhibition hall, for children and seniors, they will feel too big, for a strong man, they will feel too small; and space, it is vast, vast human consciousness system is difficult to exhaust The vast space. Space is also an objective interface entity under the definition of “nothingness.” Such a void because the interface changes can be artificially extended and shortened, can be publicized and compressed Can be round, can be straightforward, can be imaginary and truthful .And these different forms of “virtual body” in addition to having inclusive functions of people and objects, but also cause people’s vastly different psychological reactions. Can be concluded as follows: