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一具有抽象品质的词在英文诗歌中的人格化或拟人化现象比较常见。从17世纪创作出英国伟大史诗《失乐园》的诗人弥尔顿,到18世纪的英国新古典主义诗歌的代表人物约翰逊,到新古典主义向浪漫主义过渡时期“墓园派”诗歌的代表人物格雷,再到19世纪初的英国浪漫主义诗人雪莱、拜伦、济慈等人的诗歌,都可以看到这种修辞手法的使用。一般情况下,诗人有意地将一些具有抽象品质的名词在诗中以首字母大写的方式人格化,目的在于突出某些抽象品质,使
The characterization or anthropomorphism of a word with abstract qualities in English poetry is more common. From the 17th century to the creation of Great Britain’s great poem “Paradise Lost” poet Milton, to the 18th century British neoclassical poetry Johnson, to the neoclassical period of romanticism “cemetery school ” poetry The use of such rhetoric can be seen from the representative Gray and from the poems of Shelley, Byron and Keats in the English romantic poets of the early 19th century. In general, the poet deliberately personalizes some initials with abstract qualities in the first letter of the poem, with the purpose of highlighting certain abstract qualities,