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每一幅绘画作品都有一个画面中心,一般情况下,我们在观赏作品的时候,都会从画面的中心开始,这就是第一层的视觉体验,再跟着画面的构图或者色彩的分布层层递进,最终再回到画面的中心,从而形成视觉的循环。但是,很多画家在处理画面的时候,往往会把画面的中心放在中间的视觉层次中。这种层次关系是作者有意或者无意中形成的,本文将就这种视觉层次间的关系和色彩、构图等方面展开论述,对画面的视觉层次关系进行一定的分析。
Each painting has a picture center, under normal circumstances, we watch the works, will start from the center of the picture, this is the first layer of visual experience, and then follow the composition of the picture or color layers of delivery Into, eventually back to the center of the screen, thus forming a visual cycle. However, many painters often place the center of the screen in the middle visual level when dealing with the pictures. This hierarchical relationship is formed intentionally or unintentionally by the author. This article will discuss the relationship and color, composition and other aspects of this visual hierarchy, and analyze the visual hierarchy of the screen.