【摘 要】
：
60年代初我来北京工作,在一次全国性美展上,朱乃正的《金色的季节》令我眼目一新。画面上两位藏族劳动妇女相向而立扬谷收获的质朴形象,顶天立地地占据了整个画面,天空的大
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60年代初我来北京工作,在一次全国性美展上,朱乃正的《金色的季节》令我眼目一新。画面上两位藏族劳动妇女相向而立扬谷收获的质朴形象,顶天立地地占据了整个画面,天空的大块云彩和压得低低的地平线伸向远方,沐浴在一片金黄色调中,散发着西北高原雄浑壮美和清新的气息。作品构图极具形式感,人物造型生动、凝炼,笔墨酣畅淋漓,意境深
In the early 1960s, I came to work in Beijing. At a national art exhibition, Zhu Naizheng’s “golden season” brought me a fresh look. On the screen, the two Tibetan working women stand opposite each other to create a rustic image of harvest. They occupy the entire picture in an absolute manner. The vast clouds of sky and the hilly horizon stretch out into the distance, bathing in golden tones and exuding the northwestern plateau Strong and fresh and breathtaking Composition of a very formal sense of style, character modeling vivid, condensed, ink hearty, mood conception
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