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一、农民画的形成及其历史条件在政治生活占主导地位的时代里,艺术作品不是来自于对现实生活的独特感受,而是服从于政治要求。农民画这种肇始于大跃进时期的绘画模式就与当时的政治背景相一致。众所周知,中国在20世纪50年代末期掀起了热火朝天的“大跃进”运动,当时在政府部门的大力倡导和群艺馆、文化站的积极组织之下,许多乡镇都展开了轰轰烈烈的“诗画满墙”活动。那些经农民之手绘制的墙壁画和宣传画以阶级斗争、生产斗争、共产主义畅想为主题,以政治要求为准则,这构成了农民画
First, the formation of peasant paintings and historical conditions In the dominant political life era, the work of art is not derived from the unique feelings of real life, but subject to political requirements. The pattern of peasant paintings, which began with the Great Leap Forward, was consistent with the political background of the time. As we all know, China launched the “Great Leap Forward” campaign in full swing in the late 1950s. Under the vigorous advocacy of government departments and the active organization of arts and cultural centers, many towns and villages have launched vigorous “ Wall ”activities. Those peasant hand-drawn wall paintings and posters are themed on class struggle, production struggle and communism, and on the basis of political requirements, which constitute the peasant paintings