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近20年来,国内哲学界、美学界和文艺理论界的学术状况,因为改革开放初期的缘故,应该说总体上处在对西方现代哲学、美学介绍、移植、阐发的阶段,其内容涉及到西方现象学美学、存在美学、批判美学、阐释学美学、生命美学、解构主义美学、形式符号美学、人类学美学,等等。这些西方现代理论的引进,一方面使得中国美学界得以了解西方现代文论及其发展的基本状况,为中国文论将来能与西方平等对话铺设了台阶;另一方面则突破了实践论美学、认识论美学和社会——历史学批评模式在近50年内的单一化局面,不仅为中
In the recent 20 years, the academic status of the domestic philosophical circles, aesthetic circles and literary theory circles, because of the initial stage of reform and opening up, should be said to be generally in the stage of introducing, transplanting and elucidating the western modern philosophy and aesthetics. Phenomenological aesthetics, existential aesthetics, critical aesthetics, hermeneutic aesthetics, life aesthetics, deconstruction aesthetics, formal symbolic aesthetics, anthropological aesthetics and so on. The introduction of these western modern theories, on the one hand, enables the Chinese aesthetic community to understand the basic situation of Western modern literary theory and its development, paving the way for an equal dialogue between the Chinese literary theory and the West in the future; on the other hand, The homogenization of epistemological aesthetics and social-historical criticism in the past 50 years is not only for medium