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也许观众们已经感觉到了,《便衣警察》中老是那种罗罗嗦嗦、说个没完的对话,也不乏那种时空极端统一的场面,比如骑自行车的从开锁到跨上车子,以至蹬车到目的地的这一系列严格遵守客观生活时空的长镜头。还有配音的真正的个性音色。概言之,一种力求纯客观地、逼真地再现现实生活的美学追求,使人感到了一种生活的气息和存在。但是,在感到这种生活化的同时,观众又为《便衣警察》那慢慢腾腾的节奏,散漫杂乱的情节线索,
Perhaps the audience has already felt that the “plain clothes policeman” is always the kind of grudge, endless dialogue, there is no lack of time and space extreme unity scenes, such as cycling from unlocking to cross the car, Car to the destination of this series strictly observe the objective life time and space long shots. There is also the voice of the real personality tone. In short, an aesthetic pursuit that seeks to reproduce real life purely objectively and vividly makes people feel the breath and existence of a life. However, at the same time as they feel this kind of life, the audience also provides clues to the slow-paced rhythm of the “plainclothes policeman”