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准确细致也是美;对这句话我感触颇深。作为一名 青年评剧演员,准确地把握人物感情的发展,准确地把握人物心理活动的变化历程,细腻入微地运用唱念做舞等表现手段,塑造鲜活的舞台人物形象,表达戏曲的审美,既是最基本的要求同时也是最高的追求。评剧的前辈艺术家在创作人物方面积累了宝贵的经验可供我们学习借鉴,其中最重要的一条就是深刻地了解剧中人物生活的历史环境,了解人物的命运,了解人物的喜怒哀乐,努力接近人物的思想感情,用心去体验人物的情感变化,才能从里到外成功地塑造一个人物。遵循着这一创作理念,我在评剧《祥林嫂》和《山花》中分别塑造了祥林嫂和七姑两个时代不同、境遇不同、命运不同以及思想性格不同的人物,我的收获也是很大的。
Accurate and meticulous is also the United States; deep feeling to these words. As a young drama actor, he accurately grasps the development of human emotions, accurately grasps the changing course of the psychological activities of characters, and uses the means of expression such as singing and dancing in delicate details to create vivid images of stage characters and express the aesthetic, It is both the most basic requirement and the highest pursuit. The predecessors of Pingju Opera have accumulated valuable experience in creating characters for us to learn from. The most important one is to deeply understand the historical environment of characters in the play, to understand the fate of characters, to understand the emotions and emotions of the characters, People’s thoughts and feelings, intentions to experience the emotional changes in people, in order to successfully shape a figure from the inside out. Following this idea of creation, I have separately shaped two different ages of Emily Xianglinsao and Qigu in the Pingju “Xianglinsao” and “Shanhua”, and I also reap the fruits of different fates and different ideological characters very big.