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架上绘画屡遭危机──从视错觉奇迹丧失意义,到形式语言的可变性山穷水尽,再到不得不突破架上,从而以反绘画、反艺术、反道德、反人道的方式作强心剂刺激感官与心理,是西方征服主义模式不断催迫的文化必然;继中国画衰亡论百年哀号,我们又跟着西方哀挽架上绘画的消亡,这是弱势民族臣服于强势话语的文化跟风。征服主义的普世渗透促使急功近利的文化病毒弥漫全球,迷失家园者鄙视以平静自然的方式反观精神和倾诉心灵。因此,架上绘画危机实则是人类文化心态浮躁的映像。
The crisis of painting on shelves - from the loss of illusion and the loss of meaning and miracles, to the variability of formal language, to the point of having to break through the shelves to stimulate the senses with anti-painting, anti-art, anti-ethical and anti-humanistic methods And the psychology are the inevitable cultural necessities of the Western conquest model. Following the hundred-year wailing of the Chinese painting’s decay theory, we follow the demise of the western painting on the shelves. This is the cultural upbeat of the disadvantaged people who succumb to the strong discourse. The universal penetration of conquest led to quick success of the cultural anger spreading around the world. Lost homes despised the spirit of peace and confusion in a calm and natural way. Therefore, the frame painting crisis is actually a blundering reflection of the cultural mentality of mankind.