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随着科学技术的突飞猛进,科学界对人类大脑神经活动的探寻取得了长足进步。神经学家关于大脑神经与视知觉之间关系的各类研究成果,无疑为艺术史的研究与发展打开了新的视野。与图像学、风格学和社会学等研究艺术的方法截然不同,神经元艺术研究强调大脑神经可塑性对艺术创作及鉴赏的影响,它以大脑皮层接受外界刺激后所引发的的不同行为反应来解释各种艺术问题。这种方法既新奇又神秘,并且有着广阔的发展前景。由本期起,本刊将连载选登英国学者约翰·奥尼恩斯(John Onians)研究“神经元艺术史”(Neuroarthistory)的文章。在这些文章里,作者以丰富的案例向我们展示了生物科学研究艺术史的新可能,以神经元视角呈现出艺术史别样的生动和复杂。
With the rapid development of science and technology, the scientific community has made great strides in the search for the neural activity of the human brain. Neuroscientists on the relationship between the brain and visual perception of various types of research results undoubtedly opened up a new horizon for the study and development of art history. Different from the methods of researching art such as imageology, stylistics and sociology, neuron art research emphasizes the influence of cerebral nerve plasticity on artistic creation and appreciation. It interprets the different behavioral responses triggered by external stimulation of the cerebral cortex Various art issues. This method is both novel and mysterious, and has broad prospects for development. Starting from this issue, we will include a selection of articles by British scholar John Onians on Neuroarthistory. In these articles, the author shows us a new possibility of the art history of biological sciences with a wealth of cases and shows the vivid and complex art history from the perspective of neuron.