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硬笔的提按幅度相对较小,故此强调笔的提按(用力于点画粗细变化)非其所长。当然,这样讲并非是说可以不讲提按,只是要明了硬笔的特性,不必作“过分”要求,更不必为求得毛笔的效果而在开发新工具上大动脑筋。起笔不刻意于方圆,顺着笔势,注意避免点画人笔方向雷同即可。事实上方笔、圆笔都是后人“总结”出来的,后世碑学大讲方笔,不知所谓方笔正是自然书写得来,也与字的大小有直接关系。试将文徵明小
The mention of the hard pen relatively small amplitude, it emphasizes the pen to mention press (hard to change the thickness of the stipple) beyond their control. Of course, this is not to say that we can not mention mentioning mention, just to understand the characteristics of hard pen, do not have to “over” requirements, not to get the effect of writing brush in the development of new tools. Starting a pen is not intended for a radius, along the gestures, pay attention to avoid the same direction of stippling pen can be. In fact the square pen, round pen are descendants “summary ” came out, later lectures on the pen, I do not know the so-called square pen is naturally written, but also with the size of the word has a direct relationship. Try Wen Zhengming small