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戏剧，包括话剧和戏曲，是以舞台演出的艺术样式，将艺术内容诉诸观众的。基于中西文化的差异，各自有各自对舞台二维平面作艺术处理的方式，也就建构了再现性摹仿与形象性表意两类不同的艺术表现方法。中国话剧艺术舶于西方，却发展于东方，但在近半个世纪的岁月里，在艺术形式上未能作出重大突破，直至新历史时期，才在对舞台画框内的艺术时空，作出扩大艺术容量的艺术表现的同时，渐次使之衍化为形象表意的。在淡化情节叙事的同时，不注重生活转化的艺术表现。因而，有的主创人员为作哲理性、技巧性的自我实现，将观众置之于被动的接受状态，必然要遭遇观众的冷漠。
Drama, including drama and drama, draws the art content to the audience through the artistic style of a theatrical performance. Based on the differences between Chinese and Western cultures, each has its own way of performing art on the two-dimensional stage of the stage, and has also constructed two different types of artistic representation: reproductive and pictorial representations. However, in the past half century, no major breakthrough has been made in the art form. Until the new historical period, the expansion of the artistic space and time in the stage frame was expanded The artistic performance of the art of capacity at the same time, gradually make it evolved into the image of ideology. While desalting plot narrative, it does not pay attention to the artistic expression of life transformation. Therefore, some of the creative staff to make the philosophical and technical self-realization, the audience placed in a passive state of acceptance, will inevitably encounter audience indifference.