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书法艺术自日本平安朝由中国传入日本后,很快在日本普及,尤其二次大战结束后,书法勃兴并逐渐形成传统派现代诗文派、少字数派、前卫派等繁花似锦的日本现代书法新局面。小野田雪堂先生,冠上无“著名”二字,但却是一位默默耕耘的现代文人书法家,受到书坛推重。小野田雪堂,1925年出生于日本东京。自幼与艺术结下不解之缘。他精于书法、绘画和制陶工艺。尤对中国古代传统书法艺术的学习和研究,用功颇深,如醉如痴。他认为,中国古代书法艺术是书法创作的根、是灵魂、是基础,只有基础坚实,创作才能得心应手。他正是这个理论的实践者,他以敏锐的艺术感觉及对艺术深刻的理解,自修书法,拜古人为师,潜心于中国古代书法艺术之中,驰骋于篆
Calligraphy became more and more popular in Japan after it was introduced into Japan from Japan. After the end of World War II, calligraphy flourished and gradually formed the traditional modernist poetry schools, the minority, the avant-garde and other flourishing Japanese modern The new situation of calligraphy. Mr. Onoda Yoshihata, topped no “famous ” the word, but it is a quiet hardworking modern literati calligrapher, praised by the book. Onoda snow hall, was born in 1925 in Tokyo, Japan. Childhood and art are inextricably bound. He specializes in calligraphy, painting and pottery. Especially for ancient Chinese calligraphy and art of traditional learning and research, hard, drunk. He believes that the ancient calligraphy in China is the root of calligraphy, is the soul, is the foundation, only solid foundation, creative ability to handy. He is the practitioner of this theory. With his keen sense of art and his deep understanding of art, he studied in calligraphy and worshiping the ancients as his own teacher, devoting himself to the art of calligraphy in ancient China.