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黑帮片比一般的警匪片要丰富鲜活得多,它在电影文化史中的重要性也令警匪片难以望其项背。说起黑帮片(Gangster Film),不少人会将其与警匪片混为一谈。虽然涉及的都是黑白两道的火拼,但这两种类型的侧重点是完全不同的。警匪片的中心一般都是警察,为障显社会正义、维护治安而除暴安良,譬如陈木胜的《冲锋队之怒火街头》(1996)便是这方面的代表。而黑帮片则截然相反,黑帮
The gangster films are much more vivid and livelier than the average gangster films, and the importance of gangsta in the history of film culture makes the gangster film difficult to predict. Speaking of gangster films, many people confuse them with gangster films. Although all involved are black and white Rush, but the two types of emphasis is completely different. The centers of the gangsters and the police are generally police officers. In order to show their social justice and safeguard public order, the center is riddled with violence. For example, Chen Mu-sheng's “Stormtrooper of the Emergency Team” (1996) is the representative in this respect. The gangster film is the opposite, gangsters