论文部分内容阅读
法国哲学家波德里亚从符号论入手提出了艺术的“内爆”说。大意是说,现今的艺术不像唯美主义、浪漫主义乃至现代主义时期的艺术,属于个人的一种精神生活;在后现代社会,艺术跟经济、文化、政治、传播、广告的联系越来越多了,这些非艺术的内涵越来越密集地注入到艺术语言之中,把各自的功利目的也注入其中,试图用文化的方式来解决自身的问题,大众传媒、商业广告也是要借助当代艺术的范式。当更多非艺术诉求无限度注入纯艺术内涵,艺术自身的特点就瓦解掉了,艺术的质的自律性已经被耗尽,这种现象就是波德利亚所说的“内爆”的意义。
The French philosopher Baudrillard put forward the “implosion” of art from the perspective of symbolism. The effect is that today’s art is not like the art of aestheticism, romanticism and even modernism. It belongs to the individual’s spiritual life. In post-modern society, the connection between art and economy, culture, politics, communication and advertising is getting more and more Much more, these non-artistic connotations are more and more infused into the language of art and their own utilitarian purposes are also infused into them to try to solve their own problems in a cultural way. The mass media and commercial advertisements also rely on contemporary art Paradigm. When more non-artistic demands infiltrate purely artistic connotation without limitation, the characteristics of art itself are disintegrated, and the quality of art’s self-discipline has been exhausted. This phenomenon is what Baudrillard called “implosion” Meaning.