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随着改革开放的深入和社会主义现代化建设的推进,我国经济基础和上层建筑的许多领域,正在发生一系列历史性的变革。戏曲艺术也是这样。戏曲在这历史性的变革过程中,必然出现一定程度的震荡、变异和失序,反映于粤剧,其中一个突出的令人关注的问题,就是在城市演出的清淡萎缩和在“演出特区”的红火兴旺形成鲜明的对照。很有必要对这个问题进行思考和研究。一、广东的“演出特区”因得改革开放之利,占时代风气之先,又有全国各地各个方面的支持,深圳特区的社会经济比较繁荣,有人便把特区和繁荣联在一起。自本世纪80年代至今,粤西的粤剧演出相当热闹兴旺,省外的一些戏剧界同行和传媒记者到这些地方看过,纷纷称之为“戏曲的绿洲”、“粤剧的根据地”、“繁荣的民间艺术节”,于是本省便有人把这处粤剧演出活动繁荣的地方戏称为“演出特区”。粤西的吴川、电白、茂名一带,每年春季
With the deepening of the reform and opening up as well as the promotion of socialist modernization, a series of historic changes are taking place in many fields of our economic base and the superstructure. The same is true for opera art. In this historic process of change, drama is bound to show some degree of concussion, variation and disorder, which is reflected in Cantonese opera. One of the outstanding issues of concern is the faint decline in performances in the city and the flourishing performance of “performing SARs” Prosperous form a sharp contrast. It is necessary to think and study this issue. First, due to the benefits of reform and opening up and the prevalence of times and the support of various fields in various parts of the country, the “Performance Special Zone” in Guangdong Province enjoyed a more prosperous socio-economic development. Some people called the SAR and prosperity together. Since the 80s of this century, the performance of Cantonese Opera in western Guangdong has been quite lively and prosperous. Some of the drama industry counterparts and media reporters outside the province have seen these places, calling them “the oases of opera”, “the base of Cantonese Opera”, “prosperity” Folk arts festival “, so some people in this province have put the local opera where the performance is prosperous is called” Performance Special Zone. " Wuchuan in western Guangdong, Dianbai, Maoming area, every spring