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批评与创作于文学,如车之两轮、鸟之双翼,缺一不可。然而,一个时期以来,无关痛痒的批评,“红包”有多厚评价就有多高的批评,成为文坛一病。“红包评论”使批评质变为一味的表扬,沦落为毫无原则的吹捧。批评也是一种话语权。话语权如同现实中的其他权力一样,需要操持者战战兢兢如履薄冰地慎重对待,理性运用。恩格斯就曾对那种“没有一个人没有杰出的创作,没有一个人没有某种文学成就”的不分青红皂白大吹大擂提出过严厉的批评,认为这种“永无止
Criticism and creation in literature, such as the two rounds of the car, the bird’s wings, are indispensable. However, since a period of time, the irrelevant criticism and the ”red envelope“ have much criticism on how thick the assessment has become a literary disease. ”Red envelopes “ criticized the quality of change into a blind praises, reduced to no principle of touted. Criticism is also a discourse right. As other powers in reality, the right to speak needs to be treated with caution and rational use. Engels once harshly criticized the indiscriminate big-hearted popularization of ”no one has no outstanding writing, no one has no literary achievements."