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曾先生的《绘图造型》(1993年期)一文,给桩景制作提供了一个新的思路,尤其是曾先生结合自己的经验来绘图解说,更为盆景爱好者做了很好的示范。在该文中,曾先生就临水曲干式的造型,设计了三个方案(见图一～三),最后确定了图三的造型方案。其实这三个方案,各有所长,也各有所短。图三中的造型,动感较强,临水效果明显,大飘跌枝很有特色。但缺点也显易见:主干的中下段空白处太多(如树的垂高为80厘米,那第一枝片以下的空白处为40厘米到50厘米);文中提到的“唯中部一段横干稍长、少变化”的缺点没有解决,使主干的
Mr. Tsang’s “Drawing Modeling” (1993 period) article provides a new idea for the production of piles. In particular, Mr. Tsang combined his own experience to draw illustrations and give a good demonstration for bonsai lovers. In this article, Mr. Tsang designed three schemes for the Qianshui dry-stemmed figure (Figure 1 to Figure 3), and finally confirmed the plan of Figure 3. In fact, these three programs have their own strengths and shortnesses. Figure three in the shape, strong dynamic, obvious effect of water, a lot of drifting branches are very distinctive. But the disadvantages are also obvious: the middle and lower parts of the trunk too much space (such as tree vertical height of 80 cm, then the first branch below the blank space 40 cm to 50 cm); mentioned in the text “ Something short of long horizontal bar and less change ”did not solve the problem