论文部分内容阅读
我在中国戏校上七年级时,史校长介绍我跟尚小云先生学习尚派名剧《昭君出塞》。尚先生和我所有的老师一样,喜徒爱生,可亲可敬。我每次到尚先生家时,先生总是早就做好了准备,我一到就上课。虽说是在院子里学戏,先生总是一字一板,一招一式地亲自示范,一丝不苟。先生在教学中首先要求的是基本功,强调的是一招一式要传神,尤其重视神形结合。先生教导我说:功夫练得扎扎实实,动作才能得心应手;学戏实砍实凿,演戏方能放开手脚。还说:眼睛传神,身段才美,表演起来,才有光彩。先生尤其强调“神
When I was in the seventh grade of the Chinese drama school, the president introduced me to study Shangxian drama “Zhaojun Stuffer” with Mr. Shang Xiaoyun. Mr. Shang, like all my teachers, likes to be a loved one, amiable and respectable. Every time I go to Mr. Shang, my husband has always been well prepared, and I am in class. Although it is playing in the yard, the President is always a word, one by one demonstration in person, meticulous. The first thing Mr. needs in teaching is basic skills, emphasizing that one trick should be vivid, with particular emphasis on God-shaped combination. Sir taught me: Kung Fu practice solid, action can be handy; learn to practice real chisel cut, acting side can let go of hands and feet. Also said: eyes vivid, beautiful figure, show up, only glory. In particular, Mr. stressed "God