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苏轼在我国“文人书画”中占据着重要的地位,是主要的代表人物之一,苏轼文学素养深厚,哲学思想复杂,还有着与其他人不同的艺术道路,这些都让后人产生了研究苏轼的浓厚兴趣,成为研究的热点。历来对苏轼书法进行研究的人数不胜数,本文在前人研究的浪潮中寻得一丝空隙,以苏轼书法思想中的崇尚自然为研究对象,因为尚意虽然是苏轼书法的主要精神表现,但尚自然才是其书法思想的核心,所以本文试图在尽可能多的搜集资料的基础上,对苏轼书法中蕴含的尚自然思想展开系统、细致与全面的研究,希望能够对苏轼书法中尚自然思想的渊源是什么?产生的原因是什么?有哪些内涵?其表现形式有哪些?对后人有什么影响等等进行细致的论述。
Su Shi occupies an important position in China’s “literati painting and calligraphy”, is one of the main representative. Su Shi profound literary accomplishments, philosophical thinking is complex, there are different artistic ways with others, which have produced future generations Study of Su Shi’s strong interest has become a research hot spot. Traditionally, there are numerous people who study the calligraphy of Su Shi. This paper finds a gap in the wave of previous studies. Taking Su Shi’s calligraphy advocating nature as the object of study, because Shang Yi is the main spiritual expression of Su Shi’s calligraphy, Is the core of his calligraphic thought. Therefore, this article attempts to carry out a systematic, detailed and comprehensive study on the still-natural thoughts contained in the calligraphy of Su Shi on the basis of collecting as much information as possible, hoping to study Su Shi’s calligraphy What is the origin? What are the causes? What are the connotations? What are their manifestations? What is the impact of future generations and so on for a detailed discussion.