浅谈锣鼓在戏曲中的重要性

• 作 者: 臧百灵
• 机 构: 黄河科技学院,
• 出 处: 音乐大观
• 发表日期: 2011年09期
• 关键词: 锣鼓经 戏曲音乐 身段锣鼓 唱腔锣鼓 念白锣鼓 编配 大锣 地方戏曲 音乐效果 长锤

戏曲音乐中的锣鼓是按照一定传统规矩组合起来,有时也根据剧情编配合理的锣鼓节奏,使它们产生各种不同的音响,节奏效果烘托剧情发展,表达人物情绪思想,所以,锣鼓就有不同的“锣鼓点子”。这些锣鼓点子又有各种不同的用法和转接方法,将用符号记录下来的乐谱称为锣鼓谱,从口中念出来,又称为“锣鼓经”。

The gongs and drums in the opera music are grouped according to certain traditional rules and sometimes the rhythm of the percussion drums are arranged according to the story so that they produce different sounds. The rhythm and sound effects depict the development of the story and express the emotions of the characters. Therefore, the gongs and drums are different “Percussion ideas ”. These gongs and drums have a variety of ideas and transfer methods, the symbols recorded by the music called the gongsudaopu, read out from the mouth, also known as “percussion”.