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勒克莱齐奥与韦勒别克是法国当代文坛屈指可数的大家,两人在文评家眼中的地位迥异,思想和创作却构成一种近似于对称的对立。他们在作品中都对乌托邦的意象进行了营造与构建,勒克莱齐奥远赴原始丛林和第三世界,韦勒别克则将目光投向时间的未来维度。前者的小说创作反映出政治哲学的思考,后者的小说空想偏重性现象的泛滥,书写投射的是性时代的视野,在呈混沌状态的乌托邦中,竖起了科幻乌托邦的旗帜。两种乌托邦面对科学立场相反,但都承载着意识形态的话语,是“反资本主义”的批判文学,他们的虚构叙事在政治多棱镜的显像下能成为透明的样本。
Le Klezizi and Wellebek are just a handful of contemporary French literary gentes. The two hold very different positions in the eyes of the literary critics, and their ideas and creations form an opposition that is similar to symmetry. In their works, they all created and constructed the images of Utopia. Le Clergyau went to the primitive jungle and the third world, while Wellerbek turned his attention to the future dimension of time. The former novel reflects the thinking of political philosophy. The latter’s novel fantasizes the flooding phenomenon of sexuality, and the writing projects the horizon of sexual times. In the chaotic Utopia, the banner of science-fiction utopia is erected. The two utopias face the opposite of the scientific stance, but both carry the ideological discourse and are the critical literature of “anti-capitalism.” Their fictional narrative can become a transparent sample under the visualization of political polygamy.