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怎样才能在有形的音乐文本中揭示出无形的思想内涵是许多专家学者所不断探索的课题。劳伦斯·克雷默所著《Music as clutural practice》便是西方对这一课题研究的重要成果之一。在书中,他以后结构主义与语言学派为理论基石,提出了“打开释义学之窗”,“追寻其历史文化原因”的“两步走”释义学分析方式。并由此实现了从有意识到无意识,从普遍到异常等多种音乐释义的视角转换。为我们揭开音乐作品的意义之谜提供了一些可资借鉴的方法。
How to reveal the invisible ideological content in the tangible music texts is a topic that many experts and scholars keep exploring. Lawrence Kramer’s “Music as clutural practice” is one of the important achievements of the western research on this topic. In the book, he later structuralism and linguistic school as the cornerstone of theory, put forward a “two-step” interpretation of “open the window of interpretation”, “to pursue its historical and cultural reasons”. And thus realized from the conscious to unconscious, from universal to abnormal and other music interpretation perspective conversion. Provide us some enlightenment methods for revealing the mystery of the meaning of the musical works for us.