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《人·鬼·情》是中国最具女性意识的一部电影,一个女人借助戏剧舞台,借助男儿身,获得身份的认同、性别的补充。更深刻的是,这是现代女性历史命运的一个隐喻。一个拒绝并试图逃脱女性命运的女人,一个成功的女人——因扮演男人而成功,却终作为一个女人而未能获救。这既是女性意识的觉醒,不再匍匐于男权主义之下;也是女性主体身份地位的缺失,在屡次得不到男人的保护之下,自己创造一个钟馗,自己保护自己,弥补现实世界中的缺失,因此她想演
“Ghosts and Loves” is one of the most female-conscious films in China. With the help of a man’s body, a woman gets her identity and gender supplements. More profoundly, this is a metaphor for the fate of modern women. A woman who rejected and tried to escape the fate of women, a successful woman - succeeded in acting as a man, failed to be rescued as a woman. This is not only the awakening of the female consciousness, no longer prostrate under the patriarchalism, but also the lack of the status of the female subject. Under the protection of men, the people themselves have created a bell to protect themselves and make up for the real world Missing, so she wants to play