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抗战时期,新疆虽地处边远无硝烟战火,但抗战宣传却轰轰烈烈。作为中国现代文学史上最有影响力的文艺批评家和作家之一,茅盾先生于1939年来到新疆,为当地的新文学传播和抗战文艺创作开创了新局面。在疆期间茅盾还曾撰写过一批有关新疆文艺发展话题的论文,并提出了他的建议和对策,而这些文章和言论散见于当时新疆的一些报刊中,未能引起文学界的关注,本文将对这些散落的信息进行整理和钩沉,重现当年茅盾眼中的新疆文艺发展状况、存在的问题以及相关的建议。
During the war of resistance against Japan, although Xinjiang was located on the edge of a no-smoking war, the war propaganda was vigorous. As one of the most influential literary critics and writers in the history of modern Chinese literature, Mr. Mao Dun came to Xinjiang in 1939, setting a new stage for the local new literature and anti-war literature and art creation. Mao Dun also wrote a number of essays on the topic of Xinjiang literary and art development during his stay in Xinjiang, and put forward his suggestions and countermeasures. These articles and remarks scattered in some newspapers and periodicals in Xinjiang at that time failed to attract the attention of literary circles. These scattered information will be collated and refuted, to reproduce Mao Dun’s eyes on the Xinjiang literary and art development, problems and related recommendations.