论文部分内容阅读
实验影像作为当代艺术门类的一个重要类型,以其独特的创新性和实验性走在了先锋艺术的前列,中国的影像艺术也崭露头角,它在叙事结构和风格手法上力求丰富多样,涉及的领域也更加多元。实验影像艺术与传统艺术有着千丝万缕的关系,当影像遇上实验,我们要积极发掘两者之间的结合点,大胆创新。实验影像的表现方式应当力求多样,不拘一格。本文着重介绍了实验影像中“具像元素”和“声音元素”的运用和表达,并以自己的个人创作《迷·幻》为例,来谈这些元素是如何将影片串联起来,并对整个实验影像产生什么样的影响。
As an important genre of contemporary art, experimental video is at the forefront of avant-garde art with its unique creativity and experimentation. China’s video art is also emerging. It tries its best to enrich and diversify its field of narrative structure and style Also more diverse. Experimental imaging art and traditional art are inextricably linked, when the image of the experiment, we must actively explore the combination of the two points, bold innovation. The performance of experimental images should strive to be diverse and eclectic. This paper focuses on the use and expression of “figurative elements ” and “sound elements ” in the experimental images and takes their own creation of “Fan Magic” as an example to discuss how these elements connect the films in series , And the entire experimental image produced what kind of impact.