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散文在近期的“火爆”,与以余秋雨在《文化苦旅》上的跋涉和《文明的碎片》的拾拣为代表的的那一路创作的影响不无关系。但就实情而言,这一路散文的些注意,大多停留在知识阶层,而且是其中的一部分共鸣者,其涉及面非常有限。散文在一时间的升温,多半是由于女性散文的写作;尤其是青年女性散文的写作。青年女性的散文大量涌入90年代的创作界,造成了当前文坛的一大奇观。不论人们如何评价这一类散文,不论人们的价值判断有多大差异,你不能不承认,女性散文的繁荣的确展示了时代进步,更是文学进步的一个侧面。从最低限的估计来看,女人们不顾这样那样的“提示”和“指导”,能够如此这般自如而随意地写自己所思所想所乐于公
The recent “hot” essay is closely related to the influence of Yu Qiuyu’s journey on “Cultural Journey” and the creation of “civilization fragment”. However, in actual fact, most of the attention paid to this essay remains mostly at the intellectual level and is part of the resonance. Its scope is very limited. Prose over a period of time warming, mostly due to the writing of women’s prose; especially young women’s prose writing. The influx of young women’s essays into the creative circles of the 1990s has created a great spectacle in the current literary world. No matter how people rate this type of essay, no matter how much people’s value judgments differ, you can not but admit that the prosperity of women’s prose indeed shows the progress of the times, but also a side of literary progress. Judging from the lowest estimate, women, regardless of such kind of “hints” and “guidance,” can freely and freely write what they think and enjoy