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中国的“天人合一”思想,是一个完整的科学思想体系。它是历代劳动群众的社会实践经验总结,通过历代哲人千锤百炼不断分析研究,反复实践逐步形成的。它经由朦胧、朴素的初级阶段到合理、完善、系统的高级阶段的过渡。“天人合一”思想综合了包括儒、道在内的古代几大哲学体系的精华,是一个内容丰富、观点明了、系统条理的科学性强的哲学思想体系。“天人合一”思想通过各种媒介,传播、灌输到广大群众之中,潜移默化地在他们的脑海中形成一种牢固的思想观念来指导自己的社会实践活动。所以说“天人合一”思想有广泛的群众基础,民间剪纸艺人正是在这样一种思想氛围中从事创作的。 下面以阳泉剪纸为例,分别通过“天人合一”思想形成的三个层次和相对应的三组(类)剪纸作品的构成来阐述“天人合一”思想与民间剪纸之间的内在联系。
China’s “harmony between man and nature” is a complete system of scientific ideas. It is the summary of the social practice experience of the working masses in all ages. Through repeated analysis and research by successive philosophers, they have been gradually formed through repeated practice. It goes through a hazy, simple primary phase to a reasonable, perfect, advanced transitional phase of the system. The idea of “harmony between man and nature” integrates the essence of several ancient philosophical systems including Confucianism and Taoism, and is a scientifically philosophical system of thought that is rich in content, clear-cut and systematically organized. The idea of “harmony between man and nature” spread and instil into the broad masses of people through various media and subtly form a firm idea in their mind to guide their social practice. Therefore, the idea of “harmony between man and nature” has a broad mass foundation. It is in this kind of ideological atmosphere that private paper-cut artists are engaged in creation. The following uses Yangquan paper-cut as an example to illustrate the inner relationship between the idea of “harmony between man and nature” and the folk paper-cut through the three levels formed by the idea of “harmony between man and nature” and the composition of the three types of paper-cut works corresponding to them respectively contact.