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1998年4月14日与17日,中国油画学会和中国美术学院研究学部在北京和上海召开了《沙耆油画艺术研讨会》,国内著名画家与艺术研究者50余人参加了会议,收到论文20篇.两会均由曹意强博士主持.与会代表对沙耆精湛的油画艺术无不感到震惊,他那执着的艺术精神和丰富的、饱含生命激情的艺术语言,激起了与会者发自内心的钦敬,大家一致认为,在20世纪中国油画史上,沙耆应是与吴大羽等人并驾齐驱的一位重要人物,对他的艺术地位的重新评定也是对近代油画史研究的一大贡献.现将两会的纪要与部分呈交会议的论文刊于此,以供关心沙耆艺术的同行们参考.
On April 14 and 17, 1998, the Chinese Oil Painting Society and the Research Faculty of China Academy of Art held “Shajiao Oil Painting Art Symposium” in Beijing and Shanghai. More than 50 domestic well-known painters and art researchers attended the conference and received papers 20. Both sessions are chaired by Dr. Cao Yiqiang.The delegates were all shocked by Shah’s superb oil painting art, his dedication to artistic spirit and rich, passionate art language, aroused the heartfelt admiration of participants , We all agreed that in the history of Chinese oil painting in the 20th century, Shaqi should be an important figure in line with Wu Dayu et al. The reevaluation of his artistic status is also a major contribution to the study of the history of modern oil painting. The minutes and some of the papers submitted to the conference are here for reference by colleagues concerned with Shakyr’s art.