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这里所说的新编古代戏曲是指现代人编写的反映古代生活的戏曲。譬如京剧《三打陶三春》,豫剧《七品芝麻官》,越剧《五女拜寿》,秦腔《千古一帝》,湖南花鼓戏《喜脉案》等。既是反映古代生活的戏,怎么又冒出个“现代意识”?——确实存在。戏的编导是现代人。存在决定意识,现代社会中生活环境对编导总有这样那样的影响。作为现代人的编导总有这样那样的现代意识,这种现代意识在反映古代生活的戏曲作品中总有所反映,不管编导是自觉的还是不自觉的,也不管这种现代意识是清晰的还是不清晰的,人们总是用现代人的观点(如历史唯物主义观点)搜集、整理、评价、选择来表现历史人物、历史生活和历史事件。以秦腔《千古一帝》来看,该剧所选择
The new ancient drama here refers to the drama written by the modern people that reflects the ancient life. For example, the Peking Opera “San Dao Tao San Chun”, the opera “seven sesame officer”, the Yue opera “five women worship longevity”, the “ancient emperors of Qin Dynasty”, Hunan Huagu opera “hi pulse case” and so on. As a reflection of the drama of ancient life, how can we emerge a “modern consciousness”? - It does exist. Director of the show is modern. There is a sense of decisiveness, and the living environment in modern society has always had such an impact on the director. As modern writers always have such a modern consciousness, which is always reflected in the drama works that reflect the ancient life. Regardless of whether the director is conscious or unconscious, whether this modern consciousness is clear or not Not clear, people always use the modern point of view (such as historical materialist point of view) to collect, organize, evaluate, choose to show the historical figures, historical life and historical events. To Shaanxi Opera “eternal Emperor” point of view, the play of choice