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清朝末年,帝国主义侵入中国,19世纪中叶民族危机加剧,出现了以康有为为代表的有志之士主张变法图强,史称“戊戌变法”。康有为不仅是变法的主将,在书法方面,尤其在清朝碑学理论与实践方面影响更为深远。清朝后期,碑派一统天下,成为书坛主流。此时的清朝政府处于内忧外患的地步,兼政治家与书法家于一身的康有为,其“变法”的政治观点与偏激的性格在其著作《广艺舟双楫》中淋漓尽致地表现出来,
In the last years of the Qing Dynasty, when imperialists invaded China and the national crisis intensified in the mid-19th century, the people with lofty ideals represented by Kang Youwei advocated that “the reform of 1898 should be resumed.” Kang Youwei is not only the master of change, but also has a far-reaching influence on calligraphy, especially in the theory and practice of his study in the Qing Dynasty. The late Qing Dynasty, Beitaidu dominate the world, become the mainstream of the book. At this time, the Qing government was in the stage of internal and external disasters, and Kang Youwei, a politician and calligrapher, showed his political views and radical character in his book “Guang Yi Zhou Shuang Yi” vividly ,