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正如展览前言中的文字,穿梭于长征空间的展厅,观者仿佛置身于一场冬季旅行。探入异质丛生的记忆体之中,我们可以察觉到那些通过非线性和创造性思维穿插真实与虚构的成分,由“文本—图像—物件”构成多层次的展示结构,以此为基础构建出作品语言的多重语境。也许此次策展人是艺术家的缘故,郭熙和张健伶在构架展览的时候,贯穿了他们在合作项目中长期探索的开放性思路,试图让感知的触媒延伸至历史神话、文学艺术、政治宗教等众多知识领域,参与有关网络信息、社会
As the text in the foreword of the exhibition, the exhibition hall that shuttle in the space of the Long March, the audience seems to be in a winter trip. As we look into heterogeneous clusters of memory, we can see that based on this, we can see that those structures that present real and imaginary components interspersed with nonlinear and creative thinking and a multi-level presentation structure composed of “text-image-objects ” Constructs the multiple contexts of the work language. Perhaps the curator is an artist, Guo Xi and Zhang Jianling, through their long-term exploration of openness in collaborative projects, are attempting to extend the perceptual catalyst to historical mythology, literature and art, political religion And many other areas of knowledge, to participate in the network of information, society