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京剧的四功,唱念做打,其中唱和念是文戏演员应该而且是必须具备的条件。京剧里有许多戏是以唱功或念白为主的,不论是唱还是念,都要有一条好嗓子。过去,老先生们常把嗓子视为“本钱”,许多京剧演员的舞台艺术生命系于嗓子的好坏,由此可见嗓子对演员来说是十分重要的。从前,舞台上是没有扩音设备的,一个演员能不能把唱念送到剧场的每一个角落,使观众都听得见,听得清,全得靠演员自身的功力。近些年来,舞台实现了电器化,除了放置在台上的大话筒外,又出现了象钢笔套大小的无线小话筒,藏带在演员胸前的戏装里面,有些青年演员甚至学员也装备这种小话筒,有这些大小话筒帮忙,唱念起采就省力了。但是,却也因此带来许多问题,虽然许多同志发言、撰文对此提出异议,但麦克成风并没有引起剧团、演员应有的重视。
Sikong opera, singing and playing do hit, singing and reading is a drama actor should and must have the conditions. There are many plays in Peking Opera that are based on singing or reading white, whether singing or reading, there must be a good voice. In the past, the old gentlemen often regarded their throats as “capital”. Many stage actors in the Beijing opera are tied to their throats. This shows that the throat is very important to the actor. Once upon a time, there was no sound reinforcement on the stage. Can an actor sing it to every corner of the theater to make the audience hear and hear clearly? In recent years, the stage has been electrified. In addition to the large microphones placed on the stage, wireless microphones of the same size as pen sets have appeared. The costumes are stored on the chest of actors and actresses. Some young actors and even trainees also equip this Kind of small microphones, with the help of these size microphones, singing read mining effort. However, many problems have been brought about. Although many comrades spoke and the author filed an objection to this issue, the popularity of the theater did not cause the troupe and actor to pay due attention to it.