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本文主要以设计形态为中心,从构图、光影、色彩这三个方面围绕建筑摄影分析构成视觉形态的元素,旨在研究摄影师将三维空间转换成二维平面过程中如何运用这些视觉形态元素进行建筑作品的艺术升华和再创造。
This dissertation focuses on the design modality, and analyzes the components of visual morphology from the perspectives of composition, light and color. The purpose of this paper is to study how to use these visual elements to convert the three-dimensional space into two-dimensional images Art works of architectural sublimation and re-creation.