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一、说在前面的话我在想,什么是“辛亥革命”?我们为什么要拍一部100年前的《辛亥革命》?当我还在想的时候,我的眼前始终不停地浮现起这样一种景象:“炎炎烈日之下,已经完全干涸的大地,垒上了一层厚厚的浮土,一个颤颤巍巍的身影投进画面的地上,而几乎是同时,一只磨得十分光滑的木棍杵进了地上,冒起一股尘埃,镜头顺着这只木棍移去,一双枯槁如柴的脚在艰难地移动,镜头沿着这一双脚向上移去,一个衣衫褴褛得几乎不能蔽体的老者,一只手中端着一个破碎的陶罐底,他不知道
First, I said in front of what I was thinking, what is the ”Revolution of 1911?“ Why do we want to make a ”Revolution of 1911“ 100 years ago? When I was still thinking, my eyes never stopped coming From such a scene: ”Under the scorching sun, has completely dried up the earth, covered with a thick layer of floating earth, a throbbing figure thrown into the ground, and almost at the same time, a worn A very smooth wooden stick pestle into the ground, risking a dust, the lens along the stick removed, a pair of withered feet in a difficult move, the camera along the feet to move up, a ragged The old man who could barely conceal his body had a broken pottery bottom in one hand and he did not know