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德布雷的《图像的生与死》,不仅是一部关于图像的艺术史著作,我把它当作一本跨学科的哲学书,尤其注意其中涉及的纯粹思想的部分。例如,关于图像的起源,他谈到图像比文字还要古老,图像试图描述那些看不见的东西,让逝去的生命永恒,墓碑就是这样诞生的,它不仅记刻,而且要使逝者的灵魂永生。以上,就不是一部关于图像的技术史,事实上,已经是对图像起源的一种解释。在叙述图像的历史时,讨论了图像同象征的关系、图像同信仰的关系,认为图像的历史也是人类目光的观察史,例如图像如何被电视电影等现代传媒手段所取代。在这样的叙述过程中,我认为还可以从两个重要方面,对这部
Debrey’s “The Life and Death of Images” is not only a work on the history of the art of images, I consider it an interdisciplinary philosophical book, paying particular attention to the purely intellectual part involved. For example, referring to the origin of images, he talks about images older than words, images trying to describe things invisible, eternal life, tombstones so born, it not only inscribes, but also makes the soul of the dead eternal life. Above, it is not a technical history of the image, in fact, is already an explanation of the origin of the image. When narrating the history of images, we discuss the relationship between images and images, the relationship between images and beliefs, and consider the history of images as the observation history of human eyes, for example, how images are replaced by modern media such as television and movies. In this narrative process, I think it is also possible from two important aspects of this