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1.当我们面对今日之学术环境,会逐渐发现,戏剧艺术研究面临着困境,即正面临着理论思维的贫困,正面临着因思想的贫困而带来的理论的贫困。所谓戏剧研究中的理论思维和思想的贫困,就其根本点来说是哲学意识的贫困,也许这是我们戏剧艺术研究界的一个较为普遍的弱点,我们似乎还不善于从哲学特别是历史哲学和艺术哲学的新成果中吸取营养。一位戏剧研究者在戏剧本体的探讨中就公开宣布:“哲学之谜,让哲学家去猜吧。”(见
1. When we face the academic environment of today, we will gradually find that the study of theatrical arts faces the dilemma of facing theoretical impoverishment and facing the theoretical poverty brought about by the impoverishment of ideology. The so-called theoretical thinking and the impoverishment of thought in the study of drama are, to their very very essence, the poverty of philosophical awareness. Perhaps this is one of the more common weaknesses in the field of drama art and we do not seem to be good at learning from philosophy, especially philosophy of history And new achievements in philosophy of art. A theater researcher in the theatrical ontology explores the public: “The mystery of philosophy lets philosophers guess.” (See