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一八九六年十二月十日晚上,巴黎作品剧院的演出厅里突然爆发出阵阵喧哗。鼓掌声,咒骂声,口哨声,喝彩声夹杂着跺脚声在大厅里此起彼伏。①观众对舞台上粗俗肆意的人物及其稀奇古怪的演出震惊不已。在以后的一些日于里,文艺界、评论界和公众舆论一片沸沸扬扬,各种议论纷至沓来,褒贬不一。剧烈的争论引起了一场类似一八三○年间的“欧那尼之战”。②这出轰动整个巴黎舞台的新戏就是开先锋派戏剧之滥觞的《乌布王》。③它的作者就是法国剧坛的怪杰之
On the night of December 10, 1896, there was a sudden burst of noises in the performance hall of the Paris Theater of the Opera. Applause, cursing, whistling, bravo mixed with stomping in the lobby one after another. ① Audiences were horrified by the vulgar, vulgar characters on the stage and their bizarre performances. In the days to come, the literary and art circles, the critics and the public opinion have been vociferously heated up with controversy and criticism. The violent controversy caused a “battle of Annunay” similar to that of 1830. ② This is a sensation throughout the Paris stage of the new drama is the opening of avant-garde drama of the “Ubud King.” ③ Its author is the geek of the French theater