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中国传统绘画理论的精神内涵离不开大的人文环境,民族地域性文化精神的熏陶,传统绘画理论以笔墨意蕴传达民族特性。笔者将其总结为“崇德型文化”“崇人文教化”“崇自然和谐”“崇传承有节”。中国传统绘画崇尚“畅神达志”的绘画风格,前者包括“畅神达志”的中国传统绘画风格,如“传神写照”与“畅神”之说,“逸笔草草”抒怀达志的文人画。笔者将中国传统绘画的思维方式归纳为:重“全”的思维方式、重“善”的思维方式、重“韵”的思维方式、重“格”的思维方式。这四种思维方式构架了中国传统绘画的审美尺度。
The spiritual connotation of Chinese traditional painting theory can not be separated from the great humanistic environment and the influence of ethnic culture. The traditional painting theory conveys the national characteristics with the meaning of brushstrokes. The author summarizes as “Zonta culture ” “worship humanistic education ” “natural harmony ” “bearing festival ”. The traditional Chinese painting advocates the painting style of “Chang Shen Da Zhi”. The former includes the traditional Chinese painting style of “Chang Shen Da Shi”, such as “Expressive Writing” and “Smoothing God” “Yi pen grass” lyrical Dazhi scholar painting. The author summarizes the ways of thinking of traditional Chinese painting as follows: the way of thinking of “all”, the mode of thinking of “good”, the mode of thinking of heavy “rhyme”, the mode of thinking of heavy “lattice” . These four ways of thinking frame the aesthetic standards of Chinese traditional painting.