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欧阳子《〈游园惊梦〉的写作技巧和引申义》一文从写作技巧和主题含义两个角度对白先勇的小说《游园惊梦》进行阐释。但从整体来看,欧阳子是将文本的形式与内容作为切入点,采用结构主义与解构主义等批评方法,在建构一种平行模式后,由形式深入到内容去不断延伸了小说含义,以消解作者与文本的意义,然而其引申义最终却向作者与文本意义回归。
Ouyang Zi’s The Writing Skills and Extended Senses of The Garden Dream explains the novel Bai Yuanyong’s The Garden Dream from two perspectives: writing skills and thematic meanings. However, on the whole, Ouyang Zi takes the form and content of the text as the starting point and adopts such criticisms as structuralism and deconstruction. After constructing a parallel mode, Ouyang Zi extends the content of the novel from the form to the continuous extension of the meaning of the novel to Dispelling the meaning of the author and the text, however, its extended meaning eventually returns to the author and the meaning of the text.