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《洛神赋图》是顾恺之根据曹植的赋所作,是诗画结合的杰出典范,代表了当时绘画的最高水平。本文将谢赫的六法论与顾恺之的《洛神赋图》相结合,从六法论的角度欣赏与剖析《洛神赋图》。通过对六法论每一个名词的理解结合到画面之中,逐一向读者展示《洛神赋图》的精妙之处。这幅画作不仅仅在于它的线条潇洒飘逸,人物安排上井然有序,叙事手法采用“连环画”的形式,打破了人物在空间与时间上的局限性,更是开创了绘画长卷的先河。
“Luoshen Fu map” is an outstanding example of Gu Kaizhi’s poetry and painting combined with Cao Zhi’s fu, which represents the highest level of painting at that time. This article combines the six theories of Sheikh and Gu Kaizhi’s Luoshenfu map, and appreciates and analyzes “Luoshen Fu map” from the perspective of the six laws. Through the comprehension of each term of the six-way theory into the picture, one by one to show readers the exquisite “Luo God Fu map.” This painting is not only based on the graceful and flowing lines, the well-arranged arrangement of characters, the narrative technique adopted in the form of “comic strip”, which breaks the limitation of space and time in the characters and creates the precedent of painting scroll .