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我阿姐从小不会说话,在我记事的那年离开了家……天边传来阵阵鼓声,那是阿姐对我说话……由何训田创作的《阿姐鼓》携着古朴的高原气息和西藏特有的音调,在20世纪90年代风靡了世界流行乐坛。同样,《呔陀诗歌幻想曲》、《旅行》——印度小提琴之神苏布拉马尼亚姆的音乐,让世界流行乐坛震撼。其成功的秘诀就在于:以民族文化和音乐为素材,传统音乐为技法,流行音乐为形式,使人产生一种既遥远又亲切,既流行又古典和既个性又包容的和谐美,这就是“世界音乐”WorldMusic,一种多元文化结合在一起所产生的作用。自20世纪80年代以来,“世界音乐”的概念在流行音乐中不断得到提升,逐渐成为一种国际流行乐坛的发展趋势。
My sister since childhood will not speak, in my memory of the year left the house ...... Days came bursts of drums, it is Sister to me to speak ... ... By He Tian painting “Sister Drum” carrying the ancient plateau Atmosphere and the unique tone of Tibet, swept the world pop music in the 1990s. Similarly, the music of “Fandang Poetry Fantasia”, “Travel” - the god of violin in India, Subra Lamaniam, has shocked the world pop music scene. The secret of its success is that it takes people’s culture and music as their material, traditional music as their technique and pop music as their own form to create a harmonious beauty that is both distant and cordial, popular and classical, and both individual and inclusive “World Music” WorldMusic, a multi-cultural combination of the role. Since the 1980s, the concept of “world music” has been continuously improved in popular music and has gradually become a trend of development in an international pop music scene.