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芮宏明先生的大作对于钱穆先生的比兴学说做了很好的理论总结,同时深刻地指出这种比兴学说超越了一般“诗经学”的范畴,重点在于对文学比兴所根源的“天人合一”的艺术境界的阐发。然而“天人合一”乃是中国古代生命哲学与审美精神的终极境界,非“比兴”一说所能涵盖。此外,钱穆先生对于比兴“天人合一”之艺术哲学精神的阐发是基于发展成熟的中国古典艺术形态,从历史的角度考察,“比兴”及其“天人合一”的艺术精神有着更为深远的文化源头和更加复杂的诗学脉络。
Mr. Rui Hongming’s masterpiece makes a good theoretical summary of Mr. Qian Mu’s theory of Beixing and profoundly points out that this kind of theory transcends the general category of “The Book of Songs” and focuses on the origin of literature “Harmony between man and nature” of the art realm of elucidation. However, “harmony between man and nature” is the ultimate state of life philosophy and aesthetic spirit in ancient China. Non-“Xing” can be covered. In addition, Mr. Qianmu’s elucidation of the philosophy of art philosophy in Beixing’s “harmony between man and nature” is based on the mature Chinese classical art form. From a historical perspective, “Beixing” and “Heaven and Humanity A ”spirit of art has a more far-reaching cultural origins and more complex poetics context.