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在当代舞蹈创编领域,以中国的文学经典为题材的舞剧创作极为引人注目。有关文学经典的舞蹈改编,是中国当代舞蹈界对舞蹈题材、形式规律和舞蹈表演艺术实践不断探索的必然结果。从文学经典到舞剧使作品产生了“价值”转化。舞剧遵循着自己的创作规律寻找出了与之相适应的价值存在:心灵取向的价值取向;形式本体的价值取向;主体深化的价值取向。通过对从文学经典中汲取营养进行舞剧创编的价值分析,给我们的启示是舞蹈编导不仅立足于舞蹈审美视角,也可以从文化分析的角度进行舞剧创作,用舞蹈来参与文化的架构,舞蹈就有了自身的价值,并最终实现了舞剧编导对文学作品的再度超越。
In the field of contemporary dance creation, the creation of ballet with the theme of Chinese literary class is extremely noticeable. The adaptation of the dance classics in the literary classics is the inevitable result of the contemporary Chinese dance world’s constant exploration of the themes of dance, the formal rules and the performing arts of dance performances. From literary classics to dance drama, the work has been transformed into “value”. The ballet obeys its own law of creation to find out the existence of values in accordance with them: the value orientation of spiritual orientation, the value orientation of formal ontology, and the value orientation of subjective deepening. The enlightenment to us through the value analysis of the ballet drawing from the nourishment of the literary classics is that choreographed choreographed not only based on the aesthetic perspective of dance but also from the angle of cultural analysis to participate in the cultural structure and dance With its own value, and ultimately realized the ballet director of literary works beyond.