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山西省晋剧院的田桂兰,是建国后由党一手培养起来的后起之秀。她今年四十二岁,但在晋剧舞台上已度过了二十八个春秋。她所塑造的《打金枝》中的升平公主、《含嫣》中的含嫣、《打神告庙》中的敫桂英、《小宴》中的貂蝉、《杨门女将》中的穆桂英、《雏风凌空》中的杨排风、《柜中缘》中的刘玉莲、《喜荣归》中的崔秀英、《假婿乘龙》中的春草以及现代戏中的刘胡兰、李铁梅、柯湘等众多不同类型的人物形象,给观众留下了深刻的印象。田桂兰在艺术上取得成绩,不是偶然的。她有良
Tian Gui-lan, director of Shanxi Opera Theater, was a rising star trained by the party after the founding of the People’s Republic. She is 42 years old this year, but has spent 28 years in the stage of the Jinju drama. She created the “goldsmith” in the Princess Ping Sheng, “Yan with” with Yan, “the temple” in the Guiying English, “small feast” Diao Chan, “Yang Men” in the Mu Gui Young Exhaust in The Winds of the Blues, Liu Yulian in The Midrange of Curtains, Cui Xiuying in Xi Xi Rong Gui, Chun Cao in The Fake Child in the Dragon and Liu Hulan, Li Tiemei and Ke Xiang in Modern Opera Many different types of character images, to the audience left a deep impression. Tian Guilan achievements in the arts, not by accident. She has good