论文部分内容阅读
扬雄是箴文创作的代表作家,一生创作官箴文(官箴、州箴)37篇,咏物箴1篇。其系列官箴作品均以“原道、征圣、宗经”的儒家教化思想为主,以期通过箴谏统治阶级实现其治世之道。不仅在内容上承继并发展了前代箴文的创作成就,而且在形式体制上亦有所突破和创新,树立了后世箴文之典范。扬雄从“劝百讽一”的赋作转向官箴文的创作,也体现了其文学观念由“尚丽”向“尚质”的转变。有关扬雄官箴文的创作年代、具体篇数及其创作思想转变的问题,历来存有争议,本文旨在对上述问题试作探讨。
Yang Xiong is the representative writer of the creative writing of Proverbs. In his life, he wrote 37 articles of the official proverbs (Proverbs and State Proverbs) and 1 articles of Chanting Proverbs. The series of official works are based on the Confucianism of “the original Tao, Zheng San, Zong Jing”, with a view to realize its governing the world through the remonstrance and remonstrance of the ruling class. It not only inherits and develops the creative achievements of the previous generation of Proverbs in content, but also makes breakthroughs and innovations in the formal system so as to set a good example for the latter. Yang Xiong turned his emphasis on the prosecution of Guan Zhenwen from the “persuasion of satire” to the transformation of his literary concept from “Shang Li ” to “still quality ”. There has always been controversy about the specific creations and changes in his creative thinking of Yang Xiong’s official prose text. The purpose of this paper is to explore the above issues.