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作为华语电影新生代女性导演,李玉以同性恋群像议题,混杂摇晃的镜头语言,对真实社会的残酷展露表达为艺术创作本体,《红颜》中未婚生子却倔强前行的小云,《苹果》中蜷缩于都市角落里的打工妹刘苹果,《观音山》中漂泊迷茫却不断探寻的少女南风,《二次曝光》里精神衰弱的白领丽人宋其。关注女性题材,强调女性意识,以她细腻感性的情感为基础,充满思考的女性主义论点为核心,丰富的艺术经验为指导,塑造出众多充满艺术个性的女性形象。
As a new generation of female movie director of Chinese film, Li Yu expressed his homosexuality like a ghost scene, a mixture of shaky language, a real expression of cruel expression of real society as the body of artistic creation, “Hong Yan” unmarried but still stubborn forward Xiaoyun, “Apple” Curled up in the urban corner of the working girl Liu Apple, “Guanyin Mountain” wandering but constantly explore the girl southerly, “Double Exposure” in the mentally debased white-collar beauty Song their. Focus on the theme of women, emphasizing the awareness of women, with her delicate sensual feelings as the basis, full of thinking feminist arguments as the core, rich artistic experience as a guide, create a large number of full of artistic personality of the female image.