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某次我问一位著名油画家对当代书法的看法,他说,绝大多数都应该属于“社交书法”。他这句话让我沉思良久,认为他这句话点中了当下书法现状的软肋。社交,已不容置疑地成为现代生活的重要和主要的内容,以书法做社交或以社交心态做书法,想想,在当下竟十分的恰切。社交书法,在当下是真正的流行书法。由此,我又在想,什么样的书法在当下是社交书法之外的另类呢?能够创作不属“社交书法”类型的书法家应该是怎样的书法家呢?他们大概应是这样,书法传统和书法经典在他这里从来不是标签和噱头,而是自家餐桌上的一日三餐,按自己的口味吞咽下自己所需,其他
One time I asked a well-known oil painter about contemporary calligraphy, saying that the vast majority should belong to “social calligraphy.” His sentence made me pensive for a long time, thinking that he was clicking on the current weakness of calligraphy. Social, has undoubtedly become an important and modern content of life, to calligraphy to do social or social mentality to do calligraphy, think about it, in the present very exact. Social calligraphy, in the moment is a real popular calligraphy. As a result, I was wondering what kind of calligraphy was an alternative to social calligraphy nowadays? What kind of calligrapher should be able to create calligraphers that are not of “social calligraphy” type? They should probably be like this The calligraphic traditions and the calligraphic classics are never labels and gimmicks here, but three meals a day on his own table, swallowing what he wants according to his own tastes, the other